This is a 'making of documentary short focusing on the documentary feature Down From The Mountain (2000).

On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.

A commentary on humanity's increasingly questionable relationship to the natural world. Imagery of wolves and wolfhounds sits in contrast to industrial landscape tableaus, including an abandoned missile base.

Mini series about a Northumberland mining village - the daily lives of the inhabitants and the tragedies and disasters that befell them.

Adaptation of Miguel Torga's iconic short stories. An intimate look at a rural community in the 1940s. Each chapter has its own protagonist, whose existence is untouched by modernity or the outside world. Five portraits of humble lives with enormous resistance to suffering - and a capacity for violence that, at times, proves impossible to repress.

The early avant-garde filmmakers believed that the cinema had the function of a machine, made to generate pure feelings.

Su is 9 years old girl who waits for her father to come home with her favourite ice-cream.He arrives home visibly drunk and he still wants to keep his promise to his daugther. The two head our for a night drive in the magical land of Cappadocia.

Down from the Mountaintop is a powerful drama for teens and families that relates to scripture and the fourth Luminous Mystery of the Rosary, The Transfiguration, when Christ's disciples wished that they too could stay on the mountaintop. This is the story of shy, music-loving Adam McGlinn, the new kid in town, who gets talked into going on a youth group retreat. "Go, meet people," his parents say. He reluctantly agrees and arrives at the mountain retreat center, guitar in hand. He is welcomed enthusiastically by the teens in the music group. Adam not only grows close to this new community of friends but feels a spiritual connection to God and the Church. Then the weekend retreat ends. In his new fervor, Adam resolves to start a Christian band at his public high school, only to discover that his new "friends" have returned to their routines, his parents don't get it and his sister Emily makes fun of him. Discouraged, Adam wonders if his encounter with God was just an illusion.

It's an iconic line in any crime story: when a suspect is arrested and gets to make one call. In reality, once a person enters the criminal justice system, there are multiple opportunities to make calls while awaiting trial. The vast majority of those calls are recorded. An admission, a threat, a slip of the tongue, a bribe -- it's all on tape and the suspect knows it, but this doesn't always prevent people from talking and talking. Jailhouse phone calls are used to frame the narrative of murder investigations steeped in mystery.

The village of Salla, population 150, with its own school, ploughed fields and well-maintained homes. This place reflects the culture of the rural folk of Estonia and their everyday activities.